Deleuze and the Fold: A Critical Reader ebook

Deleuze and the Fold: A Critical Reader Sjoerd van Tuinen, Niamh McDonnell
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From there, Plug states that Arkady Plotnitsky employs above all Gilles Deleuze to unfold the topology of the fold and the manifold in Hegel. The two-leveled world can also be associated with the realms of the flesh and the soul. This can be folded into an appeal to the existence of obliteration and absorption events: Steven Shaviro's . The "literary absolute," as they term it, forges a "mode of commentary that would establish itself as critical to the extent that it does not submit to the rule of poetry" (p. The characterisation of baroque architecture as 'Jesuit' leads back to the arch-classicist and style historian Quatremère de Quincy, who, as a disciple of Wincklemann, was highly critical of any art and architecture since the Renaissance. Deleuze and the Fold: A Critical Reader, Sjoerd van Tuinen, Niamh McDonnell, Philosophy Books - Blackwell Online Bookshop. Within Deleuze's baroque 'house', physical matter drags the soul down into the world of the flesh. Transversal Subjects, now in paperback, proposes a combined theory of consciousness, subjectivity and agency stemming from analyses of junctures in Western philosophical and critical discourses that have greatly influenced the development of 'This collaborative book is a unique attempt at a synthesis of poststructuralist theories (Derrida, Foucault, Deleuze and Guattari) with more traditional interpretations of subjectivity in phenomenology and reader-response theories. A consistent, post-Darwinian critical theory needs to begin with the thought that if positivism gives us bad social science, it also gives us bad natural science — and in both cases, for the same reason: because positivism is implicitly committed to the dogmatic After reading Deleuze's The Fold and piking up the contagion of Steve Shaviro's enthusiasm for Whitehead evident in his blog posts I decided a while ago that I was going to have to read Whitehead's work. This was Paul Patton's response too, in the 'Introduction' of Deleuze: A Critical Reader, in particular pages 12-15. Plug then engages in an interesting re-reading of Kant's third critique, in particular Kant's turn toward the symbol and thus toward poetry.